A very old Greek text reports that the first drawing ever made was done by a woman whose lover was a soldier called on duty, ready to go far away. There are not thousands of drawings, only 20 to 40 different ones, whatever is left at the end of a major sequence.
The art critic Ruth Rosengarden describes this peculiar work process in the following way: Take the drawing of an old typewriter, for example.
For me, the drawing is the process of arriving at this image. I had made home movies, and even made crude animations using an 8-mm camera. The ideas are not the driving force in drawing, nor is meaning. But that is not to say that what I am thinking about when making the films is what is there when they are finished.
I am trying to think why, when I draw a telephone, I draw a Bakelite telephone and not a cellular telephone. Somehow the stereoscope here works as a surrogate for the camera. You didn't need an easel and stretchers and canvas and turpentine and expensive oil paint.
And, because of their use in the films, the drawings contain the traces of the whole progress of each sequence, for a lot of rubbing out and ghost images are built into them.
As for how he draws, it is as resourcefully old-fashioned as the what and why. Last year, one of the first things that you said to me about Stereoscope was that it was "a portrait of Johannesburg, like the rest of my work. And that often at the beginning and, at the end, a tightness would creep in.
The figures have holes -they are uncertain creatures in their make up. Despite any other commentary concerning the heart or origin of Kentridges' work, he strongly affirms in many interviews that the starting point of all the work he has done is, always, "the desire to draw"7.
In Landscape, text fragments, the charcoal delineates the ledger lines crisply.
You can find it You tube under the link. Likewise, his metamorphic drawing powers grow in ambition. Kentridge explains that the sequences reporting several successive transformations of words, numbers, isolated letters or sentences in other elements, work as a kind of ephemeral calligraphy associated with "automatic writing"; which is a good process to nurture creativity.
Yet, the faint remnants of script, erased again and again, create a gray haze like the smoke on the battlefield. The photogravures are haunting, layered and dense.
The videos are cool because they are so life-like, but all drawn. There is an element of trying to go back to an earlier stage, of trying to recapture the sensitization, and I think part of the images of drawing backwards in time has to do with trying to capture a different way of seeing.
Others are done in the service of something else, to be animated, used for a film, opera or a piece of theatre, where the demands of the nature of the transformation might be given by the libretto or by the music.
Jun 21, · By South African Artist William Kentridge. By South African Artist William Kentridge. Skip navigation Sign in.
Search. Automatic Writing - William Kentridge HeavyArts9. Loading. The first thing that stood out right away in Automatic Writing was the line quality.
Charcoal seems very difficult to erase and clean up but Kentridge makes it work by layering lines of charcoal and erasing parts of it bit by bit to show motion. Automatic Writing Included in Point of View: An Anthology of the Moving Image William Kentridge.min, b&w, sound.
Note: This work is available for purchase only as part of Point of View: An Anthology of the Moving Image.
Kentridge's hauntingly beautiful series of animated black and white drawings brings viewers into the artist's. William Kentridge Drawing from Stereoscope () Not on view This drawing was executed along with the animated film Stereoscope, the eighth in Kentridge's decade-long series featuring Soho Eckstein, the archetypal white Johannesburg businessman of the post-apartheid era.
William Kentridge, Drawing for the film Sobriety, Obesity & Growing Old [Soho and Mrs. Eckstein in Pool, but his opportune collaborations with Angus Gibson and Catherine Meyburg as editors and William Schübel as sound designer ought to be fully credited for their share in the William Kentridge William Kentridge: Zeno Writing.
Feb 22, · William Kentridge Automatic writing New Museum. William Kentridge Automatic writing New Museum.
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